Competition comparison

Rightstune vs Songtrust

A plain-English look at how each company collects publishing royalties. Written for independent artists and producers — not for lawyers.

  1. The short version
  2. Words you will see on this page
  3. Two different playbooks
  4. Side by side
  5. What this means for you
  6. The 65-society traffic jam
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The short version

Songtrust joins about 65 collection societies around the world so it can collect radio, live, TV, and streaming money country by country. Rightstune joins six digital hubs that license streaming across many countries at once.

65 connections sound like better coverage. For streaming — which is most independent income — they also mean a long wait. Songtrust says first royalties often take 9–12 months. Rightstune’s first payout is about one quarter, then monthly.

Plain English

Words you will see on this page

Publishing talk is full of jargon. Here is what the words actually mean.

Publishing royalties
Money owed when someone uses your song as a composition. Your distributor already pays you for the recording. Publishing is the other half.
Mechanical royalties
Money for making a copy of the song. Streams and downloads count.
Performance royalties
Money for playing the song in public: radio, TV, clubs, live shows, and part of every stream.
PRO
Your home performing rights organization — like ASCAP, BMI, or PRS. Songtrust is not a PRO. Neither is Rightstune. You still need your own.
Reciprocal agreement
When societies collect for each other across borders. Slow, two fees, and easy to mismatch.
Direct affiliation
The admin is a member of that country’s society, so it collects there without the mail chain.
Digital hub
A group allowed to license streaming in many countries with one deal, instead of 27 separate European licenses.
Black box
Unmatched money. After a few years, societies often give it to the biggest local publishers instead of the original songwriter.
How collection works

Two different playbooks

Songtrust’s playbook: 65 local doors

Songtrust (part of Downtown) markets 65 direct pay sources covering 215 countries — about 98% of the global music market. The point of that list is not streaming. Streaming can be licensed in bulk. The point is offline uses: a radio spin in Italy, a DJ set in Spain, a festival in Australia. Only the local society can collect those.

If Songtrust is not a member of that local society, those plays wait on your home PRO’s reciprocal mail. That can take a year or two, with fees on both sides, and a higher chance the play never matches.

Rightstune’s playbook: six digital doors

Rightstune uses your PRO, The MLC / HFA (US copies), IMPEL (global streaming via SACEM, AMRA, and partners), MCPS (physical), CMRRA (Canada), and MRI (niche apps). European law let publishers pull digital rights out of each country’s society and license Spotify once for many countries. That is the job IMPEL does. Full partner list: Affiliations.

IMPEL also helps match the performance half of a stream back to your home PRO, so that money is less likely to fall into the black box even though it still travels through PRO channels.

The numbers

Side by side

Topic Rightstune Songtrust
How they collect 6 focused hubs 65 direct societies / 215 countries
First payout About 1 quarter 9–12+ months
After that Monthly Quarterly ($25 minimum)
Upfront fee $0 $100 per writer
Mechanical fee 15% 20%
Performance (publisher share) 12% 15%
Sync 15% 20%
Offline radio / live / TV abroad Via your home PRO’s reciprocal path Direct at many local societies

Rightstune rates are our published prices. Songtrust figures come from their public pricing and help pages and can change. Always check the source if you are deciding today.

For independents

What this means for you

If you stream on Spotify, Apple Music, YouTube, and TikTok, that is usually 90%+ of an independent catalog’s publishing. Songtrust still has to push your songs into 65 different society computers before the machine is “fully registered.” That is the 9–12 month wait they describe.

Rightstune registers you at the hubs that already have direct deals with those platforms. First money can arrive in about a quarter. After that you get paid monthly, which is how most independents actually fund the next release.

Songtrust’s 65 doors still win if you tour internationally, land terrestrial radio in several countries, or get traditional TV uses. Digital hubs are not allowed to collect those offline plays. For that catalog, a local-society network is the honest tool.

Honest tradeoff: Rightstune is faster on streaming and cheaper to start. Songtrust is broader on old-school uses (foreign radio, live, TV). Pick based on how your songs actually earn — not on who lists more society logos.
Speed

The 65-society traffic jam

Each society has its own rules for a registration file. If one field conflicts with old data, your song sits in a manual queue in that country. Multiply that by 65, and global “done” takes most of a year. Songtrust then batches payouts quarterly, with a $25 minimum, because the incoming statements do not arrive on the same day.

Rightstune skips that pile-up for digital. Platforms report usage straight to hubs like The MLC and IMPEL’s partners. We do not wait for 65 separate “yes” stamps before we can pay you.

That is also why our rates can stay lower: $0 to start, 15% mechanical, 12% on the publisher share of performance. Maintaining 65 society relationships is expensive. That cost shows up in Songtrust’s $100 setup fee and higher commission.

Bottom line

Pick the model that matches how you earn

Songtrust buys completeness: more local doors, slower cash, a setup fee. Rightstune buys speed on the income independents actually live on — streaming — then pays monthly.

Want the full list of Rightstune’s six partners? See Affiliations.

Also compare: vs TuneCore · vs BeatStars

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